stakebait: (Reading_in_Bed)
[personal profile] stakebait

I really wanted to love The Magicians, because I saw Lev Grossman speak at the Center for Fiction and I thought he was way cool. Plus it came highly recommended. Unfortunately my basic take on it was, Harry Potter as written by Jonathan Franzen.


The main character was everything that makes me avoid mainstream fiction like the plague: soaking in privilege yet never happy; self-preoccupied to the point of hardly seeing anyone else, yet lacking in self awareness; screwing up what few real relationships he has; largely passive and reactive, and not taking responsibility for the things he does do.  The fact that he was surrounded by other, more appealing people whose stories I only got to see glimpses of just made it worse. Cannot decide if I am willing to try the sequel.

On the other hand, I adored Patricia Wrede’s The Thirteenth Child and highly recommend it.


As, among other things, a counterpoint to OSC’s Alvin Maker. The only thing that bugged me a little is that this is an alternative US frontier with no mention of Native Americans whatsoever. Of course, given the “alternative”, it’s entirely possible that in this world there never were any, but never finding a way to slip that detail in somewhere still feels a little too much like erasure to me.

I also read the Hunger Games books. I really liked them.


I did feel that Gale’s character was more told than shown, which made the resolution of the love triangle not much of a surprise. As a poly person, I was a little annoyed, though not surprised, to find that the idea of not having to choose occurred to no one. I was also bothered that there don’t seem to be any gay people in Panem. Katniss’ lack of much of any sexual feelings of her own did not ring very true to me – of course, I’ve not been in anything like that situation, so I can hardly say, but I think history suggests that neither hunger nor war prevent most teenagers from wanting sex, even if they don’t have it.

I found Katniss’ explanation of her prep team – the idea that people from the capital have no empathy or moral horror because they are so sheltered -- kind of unrealistic too. After all they must still suffer and die from other things. I know studies have shown that rich people have less empathy, but less is not none, and while the people in the capital are certainly rich compared to District 12 they are not the kind of super-rich that can control everything about their own existence and be surrounded by syncophants. Then again, that’s Katniss’ perspective, not necessarily the truth, and Cinna suggests things are more complicated.

I liked the last book slightly less than the other two – Katniss is more reactive and less active in it, and while it makes sense, it is less satisfying. And I found her comment about her being a child that no one cared about hurting did not ring true – she’s 17, and while that’s a child in the sense that she’s still eligible for the Hunger Games and not allowed to go down into the mines, it really doesn’t strike me that Katniss has seen herself as a child in a long time, nor has she functioned as one in the eyes of others. Nor do the people of District 13, who she is talking about, consider 17 year olds children in general, since they’ve already joined the army. It seemed like an interjection from planet 21st Century North America.

But all of those are minor quibbles to an extremely compelling story. I particularly liked that Collins was not afraid to make Katniss make some unlikeable choices and have some selfish thoughts. She was still, to me, a very sympathetic character, but also a realistic one, not one where the deck is stacked so a she never has to make a hard call. And I loved the way the cameras, and her awareness of them, infiltrated her awareness and even made it hard to figure out what her own feelings would be if they weren’t there. It’s a very nuanced worldview that I think a lot of adults would not realize a teenager could maintain, as well as a very postmodern dilemma. I kind of want to write a paper on The Truman Show, The Hunger Games, and as many other Panopticon surveillance SF conceits as I can think of, and how they influence character and relationship  development.
(deleted comment)

Date: 2012-05-08 06:44 am (UTC)
From: [identity profile] ookpik.livejournal.com
Yes. I'd really like to read that paper.

Date: 2012-05-07 07:43 pm (UTC)
From: [identity profile] mrissa.livejournal.com
Of course, given the “alternative”, it’s entirely possible that in this world there never were any, but never finding a way to slip that detail in somewhere still feels a little too much like erasure to me.

The way she found to slip the detail in was entirely too subtle, I think. The Hijeiro-Cathayan (spelling?) culture was meant to indicate that it was a blend of what in our world separated out to become East Asian and Native Americans when the Native Americans came across the land bridge. So in the world of Thirteenth Child those peoples are meant to have stayed in Asia and blended with the Asian cultures, changing them instead, rather than never having existed.

I agree that this is such a small point that it's very hard to spot. I'm not sure I would have seen it myself if I hadn't heard Pat talking about it at a reading before the book came out.

Date: 2012-05-07 08:07 pm (UTC)
From: [identity profile] stakebait.livejournal.com
WOW, yeah, definitely didn't spot that, and even now that it's been explained to me it seems like kind of a reach. Not that they did that, but that she would think the name alone would convey that information. Maybe if she'd talked more about their magic and slipped in some elements of Native American culture, but as it is stands, that takes subtle to the level of requiring telepathy -- or, as you say, extra-textual knowledge. Of course, that thing where the author knows the world so well they forget to tell the reader probably happens half a dozen times in any sufficiently complex worldbuilding book, but in this case it matters more since I know there's something missing that needs explained.

Date: 2012-05-08 12:22 am (UTC)
avram: (Default)
From: [personal profile] avram
Haven't read The Thirteenth Child, but shouldn't the absence of Native Americans be sufficient in itself to indicate the absence of Native Americans?

Though as some critics have pointed out, many of the crops that European settlers took for granted were the product of millennia of selective breeding, and wouldn't have been there without earlier human occupation of the hemisphere.

Date: 2012-05-08 02:48 pm (UTC)
From: [identity profile] stakebait.livejournal.com
Not to me, because a) right or wrong, there are a lot of books that don't mention various minorities but don't expect us to assume they don't exist and b), we could have killed them off, or chased them off, or made them taboo and unmentionable, or not met them yet. My feeling is, if you're using bits of the real world that your readers would know about but making them AU, at some point you need to get explicit about how the U has been Aed. Doubly so if the alteration you're making is to fictionally remove out of the way of white people a group that we came awfully close to removing in real life.

Date: 2012-05-07 07:46 pm (UTC)
kate_nepveu: sleeping cat carved in brown wood (Default)
From: [personal profile] kate_nepveu
Yeah, the erasure thing in _The Thirteenth Child_ was a big deal a couple years ago (both with regard to the book and some things Wrede said about the writing process). It also led to, alas, Lois McMaster Bujold saying some rotten things in defense of her friend and her friend's book. She did apologize.

(The shorthand name for it was Mammothfail, if that rings a bell.)

(I should not start writing comments about this while trying to multitask. I'm done now, honest.)
Edited Date: 2012-05-07 07:50 pm (UTC)

Date: 2012-05-07 07:59 pm (UTC)
From: [identity profile] stakebait.livejournal.com
Nope, I missed that completely. I also missed the existence of the book completely until I found it in a used book sale at a library this weekend.

That's actually vaguely reassuring to me, that I can spot fail without having heard about it from others -- sometimes, at least.

Date: 2012-05-07 10:01 pm (UTC)
kate_nepveu: sleeping cat carved in brown wood (Default)
From: [personal profile] kate_nepveu
On checking, it was only a few months after RaceFail, so . . . yeah. Not good times.

Date: 2012-05-07 08:01 pm (UTC)
From: [identity profile] rysmiel.livejournal.com
Not to be confused with the Mammothfail from a few years earlier, which was a Stephen Baxter trilogy in which sentient mammoths have such awesome knowledge of chaos mathematics that they can open the Bering Strait by finding exactly the right spot on which to jump up and down.

Date: 2012-05-07 08:14 pm (UTC)
From: [identity profile] rysmiel.livejournal.com
Indeed. (Also, copious amounts of uninteresting mammoth sex scenes.) I'm not sure whether equivalent-to-magic ability to do deterministic things with chaotic processes was a trope a few years back, it's in Robert Metzger's Picoverse as well, though not in quite such a jaw-droppingly WTF context. One the other hand, it's a Wise Mystic Neanderthal who does it, so I am not sure that's actually better.
Edited Date: 2012-05-07 08:15 pm (UTC)

Date: 2012-05-07 08:47 pm (UTC)
From: [identity profile] stakebait.livejournal.com
Gah! I need a Do Not Read, Ever list.

Date: 2012-05-07 10:00 pm (UTC)
kate_nepveu: sleeping cat carved in brown wood (Default)
From: [personal profile] kate_nepveu
That is HILARIOUS.

Date: 2012-05-08 12:26 am (UTC)
avram: (Default)
From: [personal profile] avram
I thought "mammothfail" was the one about The Mammoth Book of Mindblowing SF anthology that had no female contributors. Or maybe was that lettucefail?

Date: 2012-05-08 02:42 pm (UTC)
From: [identity profile] stakebait.livejournal.com
Bwah! I like "lettucefail" although it also sounds like what happens when my ssambap disintegrates.

Date: 2012-05-07 08:51 pm (UTC)
From: [identity profile] reginaspina.livejournal.com
FWIW, I recently read The Magicians and The Magician King and I vastly preferred the second book. Quentin actually has some character development and doesn't whine about things CONSTANTLY and Julia is a major character whom I really loved in the second book.

Date: 2012-05-07 09:39 pm (UTC)
From: [identity profile] stakebait.livejournal.com
Okay, good to know. I might give it a go, then, but I'm not paying for it. I'll get it from the library or a friend.

Date: 2012-05-07 10:37 pm (UTC)
ext_58972: Mad! (Default)
From: [identity profile] autopope.livejournal.com
Quentin still made me want to slap him and yell "GROW UP!" a few times in The Magician King. But yes, he's slowly showing signs of awareness and dissatisfaction with what he is, and of wanting to, like, grow up. And a chunk of the background in the second book is wonderful. Ditto Julia.

I am hoping that by the end of the trilogy Quentin has actually figured out enough about who he is to be halfway to sympathetic.

Date: 2012-05-07 10:57 pm (UTC)
From: [identity profile] stakebait.livejournal.com
That would be an impressive growth arc.

I originally wrote "growth ark", but that's an inflatable boat.

Date: 2012-05-07 10:25 pm (UTC)
sdelmonte: (Default)
From: [personal profile] sdelmonte
Crosses The Magicians off my list.

Date: 2012-05-07 10:37 pm (UTC)
ext_58972: Mad! (Default)
From: [identity profile] autopope.livejournal.com
That might be a Mistake.
(deleted comment)

Date: 2012-05-08 02:39 pm (UTC)
From: [identity profile] stakebait.livejournal.com
Do they? I am oblivious. But I quite like Cat, the few times we've met. Her books I am more mixed on -- she has a fascination with the self-consciously exotic that I can't quite share. I love Palimpsest, and Deathless I thought was quite good, but I bounce off some of the others even though the individual passages make lovely poetry. (Haven't read the Prester John ones yet.)

Date: 2012-05-08 12:54 am (UTC)
batyatoon: (the world is quiet here)
From: [personal profile] batyatoon
Oooooh. If you ever do write that paper on The Truman Show and The Hunger Games et al, I want to read it.

Also:

"After all they must still suffer and die from other things." True, but how often do they see it happen? I find it entirely plausible that the suffering and death of others is something a Capital citizen tends to be sheltered from in real life and exposed to only as a form of entertainment -- with the exception of those for whom the suffering and death of others is a professional matter, i.e., medical personnel. Granted, though, that's pure speculation.

Date: 2012-05-08 02:35 pm (UTC)
From: [identity profile] stakebait.livejournal.com
Well, how often do WE see it happen? As far as I can tell, the life of a capital citizen is remarkably similar to the life of a middle class or richer New Yorker. We have plenty to eat and wear; we have jobs and comfortable houses and vicarious drama on the television; we know there is starvation and torture and horrible things happening somewhere else, but its hard to get a grip on emotionally. We may have some guilt that we are comparatively privileged, but we also have some resentment of the guilt and mostly don't see what we, as individuals, can do about it, so we put it out of our minds and are preoccupied with our own concerns even if they would seem shallow or silly to someone dealing with life or death issues.

But we do see our own grandparents and parents and parents friends die of old age, and the occasional childhood illness or horrible accident take somebody before their time, and even if it happens in a hospital behind a sanitary curtain, we still grieve. And we still have empathy.

I absolutely do not believe that if the Hunger Games appeared on our TVs, as staged between, say, the children of Afghanistan and the children of Iran, that there would not be an instant nationwide outcry. Partly because we WOULD be seeing them suffer, and seeing them as individuals, whereas we know humans have an easier time ignoring big numbers and things they only know about second hand. Partly because our government would be doing it on purpose, so we would know we COULD stop it and nothing worse would inevitably take its place, as we often fear when intervening. And partly because we have a much easier time empathizing with children than we do grownups. There might be some bigots who would say they were okay with it, or that it was necessary to prevent something worse, but I suspect even they would have a hard time watching it. And even if we couldn't do anything about it, or thought we couldn't, we certainly wouldn't be chattering about where we were during the deaths.

Date: 2012-05-08 11:01 pm (UTC)
batyatoon: (the world is quiet here)
From: [personal profile] batyatoon
I think we're a lot better informed than the people of the Capitol, or at least capable of being so. The government of Panem controls the media, for the Capitol citizenry as much as for the people of the Districts; there's no unauthorized travel and no independent telecommunications. Which means that not only does your average Capitol citizen not know what it's like in (say) the coal mines of District Twelve, a Capitol citizen will probably never even meet anybody who's ever spoken to anybody who knows what it's like.

And I think it would be possible, given the right cultural conditions, to distance people even more from suffering and death in their own lives. It wouldn't be hard at all to make dying people disappear -- relatives could be denied access to hospitals, and the death of a loved one could appear only in the form of a phone call.

I wonder what the violent crime rate is like in the Capitol.

Date: 2012-05-09 01:19 am (UTC)
From: [identity profile] stakebait.livejournal.com
I'm sure we are better informed, but I'm not so sure it matters for what I'm talking about. I don't think most of us learn our empathy from news reports, we learn it primarily from analogy to our own lives and our loved ones, and secondarily from identifying with the people we see in various media -- which in their case, is the Hunger Games.

I find it very easy to believe that they might not understand the kind of economic privation that is normal life for Katniss at home, but I don't think that would make people not identify with what they are seeing up close and personal on their screens every year -- all the more so if it's the only, or one of the few, truly vivid experiences they ever have. It's not like you need to understand life in the districts to understand what's going on in the arena.

I don't think making the death of a loved one disappear would make that much difference either -- they might be more shocked and alienated about blood and guts, but I doubt that would make a watcher more indifferent to it -- less so, if anything, as it doesn't seem like an inescapable human condition -- at least, that's what's happened in our society, that as mortality rates go down, death seems more an outrage and less a fact of life, and toleration of deaths in everything from war to major construction projects goes way down.

And loss they cannot take away.

Date: 2012-05-08 02:54 am (UTC)
mangosteen: (Default)
From: [personal profile] mangosteen
So, in defense of The Magicians.....

I liked the book because it was "Harry Potter with Real Actual Teenagers." The very fact that Quentin was so self-centered and so myopic was part of the cringe factor that did it for me, because I believe and understand that character. He's a self-obsessed hormonal sullen self-centered dweeb who can control Great Cosmic Powers. Which is to say, he's a nerdy poorly-socialized teenager who can control Great Cosmic Powers.

Quentin can apply his intellect, but has no moral constructs around it, because he never had to grow them. To me the first book is seeing him get hit with the GCP stick enough that he wakes up. I've only started on the second book, but I look forward to see if the beatings (with the GCP stick) continue until (Quentin's) morale improves.

Date: 2012-05-08 02:24 pm (UTC)
From: [identity profile] stakebait.livejournal.com
Gotcha. I guess the difference is, I don't understand that character, and have trouble believing it. The only people I know who are self-centered to anywhere near Quentin's extent are narcissists who are not capable of growing out of it no matter how much of any stick is applied.

And that was true even when I was a teenager -- the teenagers I was and knew were always hormonal, frequently dweebs and often poorly socialized, but it didn't mean they had no empathy, it just meant they were awkward as hell and sometimes counter productive in how they expressed it. But they cared passionately about the world around them, often to the point of obsession.

It was not exactly NOT self-centered, because a lot of that caring was about how and where they fit and what other people thought of them, but it included close, if sometimes tempestuous, bonds, and quite as many surprising acts of charity as of malice. And while there was some obliviousness, it was mostly of the "I didn't realize other people were as vulnerable to me as I am to them" or the "I didn't realize I could change these social rules or ignore them" varieties.

(I do have several friends now who say their experience was different, and I believe them, but I didn't know them or anyone like them as teenagers, so it's hard for me to envision. Except for their weirdly delayed puberty, I found the Harry Potter teenagers considerably closer to my experience than these, though neither exactly hits the mark.)

I also find it all but impossible to believe that someone could attend school for 12 years, not to mention living in a nuclear family, and never have occasion to grow moral constructs. Most of us have morals without needing Great Cosmic Powers to trigger them. It is enough to see what helps and hurts us and others. If Quentin does not see that, as far as I'm concerned that's either a flaw in Quentin (and possibly also his parents), or in the believability of Grossman's worldbuilding.

I think it's the former -- I think it's intended to be the former, a flaw in the main character. I'm not saying it's bad writing for a main character to have a serious flaw, just that this particular flaw makes me dislike Quentin to the point that hearing about him is more unpleasant than any amount of good writing can redeem.


Date: 2012-05-09 02:16 am (UTC)
rosefox: Green books on library shelves. (Default)
From: [personal profile] rosefox
From what I have heard, I am avoiding The Magician King and recommending others do likewise.

Date: 2012-05-09 09:14 pm (UTC)
mangosteen: (Default)
From: [personal profile] mangosteen
I am genuinely curious as to your reason why.

GREAT BIG SPOILERS

Date: 2012-05-15 06:56 am (UTC)
rosefox: Green books on library shelves. (Default)
From: [personal profile] rosefox
Because the main character is raped in a quite horrific way.

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